This one after PS
C-41 at 18 deg C, stand developing with ten initial inversions; developer and blix bath one hour each.
C-41 (VIII)
This one after PS
C-41 at 18 deg C, stand developing with ten initial inversions; developer and blix bath one hour each.
C-41 (VII)
Pictures straight out of the scanner (Canoscan 8400F).
Expired film, expired chemicals (Tetenal Colortec), bath temperature 18 deg C; developed 30 min, blix 30 min.
The lost cameras (II, Polaroid 680 SLR)
Since the beginning of my relationship with photographic gear in 1979 I lost lots of equipment.
Some cameras died, some were sold, some I gave away as gifts. Luckily the photos survived.
I used the 680 SLR as long as I could afford the film prices. End of the sad story.
Some cameras died, some were sold, some I gave away as gifts. Luckily the photos survived.
I used the 680 SLR as long as I could afford the film prices. End of the sad story.
The lost cameras (I, Seagull 4B-I)
Since the beginning of my relationship with photographic gear in 1979 I lost lots of equipment.
Some cameras died, some were sold, some I gave away as gifts. Luckily the photos survived.
The following pictures were taken with a Seagull 4B-I TLR from China that I bought in 1986 and sold in the mid 90s.
It was the model with separate transport and shutter cocking, a feature that made multiple exposures easy. The used film was the Ektachrome 64, a film with lovely colors.
This was the only street shot I managed with the Seagull - and it was a pure piece of luck! I was composing a shot of the stairs and had just finished the settings when I heard the childrens voices. Just click and then start breathing again!
This is a sandwich of a boring sunset picture and a boring tree shot. This time the synergy effect worked well!
Some cameras died, some were sold, some I gave away as gifts. Luckily the photos survived.
The following pictures were taken with a Seagull 4B-I TLR from China that I bought in 1986 and sold in the mid 90s.
It was the model with separate transport and shutter cocking, a feature that made multiple exposures easy. The used film was the Ektachrome 64, a film with lovely colors.
This was the only street shot I managed with the Seagull - and it was a pure piece of luck! I was composing a shot of the stairs and had just finished the settings when I heard the childrens voices. Just click and then start breathing again!
This is a sandwich of a boring sunset picture and a boring tree shot. This time the synergy effect worked well!
C-41 (VI)
These were developed as described in the former post, but this time with fresh chemistry. The negatives needed only minor corrections.
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